On Thursday afternoon, I had the opportunity to go to Dahiya, the Shia suburbs in south Beirut with some of the people from SINARC. We went to visit Hezbollah’s memorial to last summer’s war with Israel. Before reaching the memorial, we saw some of the sites that had been bombed by Israel. After having spent most of time in West Beirut, a trip into Dahiya was eye-opening. West Beirut is filled with pictures of Hariri and his assassination. Dahiya is full of destroyed buildings, rubble, and construction projects to rebuild homes. Walking through the area was one of the most personally difficult experiences I have ever had as a traveler. I know that I am in an incredibly privileged position that allows me to travel all over the world. I couldn’t help but feel how privileged I was that I was able to walk around the streets and take pictures of destroyed buildings. At the same time, I felt completely awkward doing so. I was taking pictures of people’s homes that had been destroyed in a war. Here are a few of them:



After walking around Dahiya, we headed over to the Web of the Spider (Bayt al-Akkabout). Before visiting, I had read Charles Levinson’s blog about the memorial, so I had an idea about what I was getting into. The site is designed to commemorate Hezbollah’s victory in last summer war and to acknowledge the destruction caused by the Israelis. We began by entering a tent designed for groups of visitors and news conferences. There was a podium set up with a microphone, and behind the podium was a backdrop with the logo for the memorial. One of the people who run the memorial gave an explanation of the place and why it was set up. He mostly talked about the actions of Israel and the decisions to use the pieces of destroyed tanks and helicopters in the exhibit.


The memorial begins with a few displays of destroyed Israeli vehicles outside. There are some tanks and remnants of a cluster bomb. The vehicles are partially buried underground to symbolize Israel’s defeat, according to the guide.




Charles Levinson does a good job describing the second part of the memorial:
The first exhibits are two reconstructed Hezbollah bunkers. One looks
like some sort of command post. There is a manikin dressed like a
Hezbollah fighter in fatigues with an AK47 slung over his shoulder.
He’s eyeing a wall map of “Occupied Palestine”. There’s a desk with a
laptop computer, a walkie talkie, a phone and two korans. On the other
side of the passage way there is another reconstructed bunker, this one
made to resemble the rooms where Hezbollah fighters sleep. There are
two manikins here, one kneeling in prayer, the other relaxing on a
mattress on the floor, a koran in his right hand, his left resting
casually on an AK47. A radio blasts old Al Manar news reports from the
front lines of last summers war, mixed with martial anthems.



The main part of the exhibition is a large tent with an assortment of pictures from the war and various Israeli and US leaders. Under each pictures are quotes from the leaders that are profoundly disturbing. There are also various exhibits about the extent of damage and death in Beirut, as well as exhibits showcasing Hezbollah’s military capability and weaponry. In the middle of the exhibit is the remains of an Israeli helicopter that was shut down, and is now hanging suspended from the ceiling. The room was packed with people looking at the exhibits. I’ll use Levinson’s word to describe the Hezbollah video game that was also on display:
Young boys crowd around an animated film shown over and over called
“Special Force 2: Tale of the Truthful Pledge.” It’s basically a first
person shooter video game where the shooter takes out distant tanks
with some sort of RPG and charges after the enemy with his AK47. It’s
shown to heavy opera music resembling Carmina Burana.
The final part of the exhibition is in a separate tent. It’s a multimedia display with pictures, videos, and flashing lights showing on a massive screen set up behind another destroyed Israeli tank. The videos were mostly scenes of Israel’s attacks, Hezbollah’s army fighting back and targeting Israeli tanks, and a few scenes of launching rockets at Haifa. This part of the memorial was one of the most powerful. I had never seen any of the footage of Hezbollah’s army, and I was amazed how disciplined and organized it seemed. The western media always talks about Hezbollah’s militia. After this video, you realize it’s not a militia, it’s a full blown army. The video sequence culminates with Hassan Nasrallah’s victory speech. Throughout the video, lights are flashing around the destroyed tank and sound effects fill the room.












On my way out, I picked up some Nasrallah’s air fresheners from the gift shop, as well as a few other items. As I began to make sense of the exhibit, I kept comparing it to two other similar memorials I had visited. In Hanoi, Vietnam, I visited the memorial to the American War, and in Nanjing, China, I visited the memorial to the Japanese Rape of Nanjing. I must admit that the Hezbollah memorial is the most powerful and engaging. At the same time, I was also disturbed by the way in which the memorial glorifies Hezbollah’s military accomplishments. If the memorial had simply focused on the destruction caused by Israel, it would have been a more powerful statement to the rest of the world. But by including so many displays of Hezbollah’s military capability, it will only be used by outsiders to confirm that Hezbollah is a terrorist organization.
Technorati Tags: middle-east, beirut, dahiya, hezbollah, akkabout